Lost

Lost. That’s how I’d describe myself right now. Lost, but not hopelessly. The day after I posted the last blog, I had an inspired idea for the fall writers contest. But I wasn’t writing anymore, so what was the point? The problem is, when I have a good story idea, I can’t just banish it. It pings around in my head, and I write sentences, scenes, dialogue, and then rewrite them over and over. It won’t stop until I put it on the page. So I finally did. It’s not my best. Nor my worst. It’s a good story.

Still, when I thought about picking up my finished novels, and editing them, there’s nothing but resistance. It feels like relief not to have to try to get them out into the world. But then I hear about a waitress who was laid off during Covid, wrote a book, and got published. She’d never wanted to be a writer. Never spent years practicing and getting better. Just wrote a book, and wham! Published. Or a 9 year old who published two books during the pandemic. It’s just that easy apparently, which makes me a complete failure. Granted,I never really had time off to write, as they did, but still. The irritation and jealousy that rears its ugly head means I’m clearly not done with writing, just as the fact that a story pestered itself into existence, tells me that writing is clearly not done with me.

At first my grim prognosis of the world didn’t seem to actually depress me. Nor did me not wanting to write. But as the days have gone by, I’ve watched my mental health decline. I’ve become more insecure, more numb, more unhappy. Not writing is not the answer.

That caused me to look at why I don’t want to write. After some reflection, I believe the problem is two-fold. 1) I’ve lost confidence in my writing ability. Sending out a manuscript over and over, revising over and over, and still never getting one person who was interested enough to request more pages, inevitably leads me to think I simply can’t write. I mean yes, I have talent, but I’m missing something that successful writers have, and until I figure out what that is and fix it, it’s all pointless.

And 2) I’ve lost the joy of writing. I’ve heard other writers talk about how much they hate the process of writing. That seems insane to me. If you don’t like doing it, why do it, even if you’re good at it? For me, losing myself in a story was pure joy. It’s what drove me to want to spend my weekends sitting at a desk in front of a computer. What could be better? But the joy is gone. It’s work. Work that I no longer think I’m particularly good at. And now I look back at all the social events I said ‘no’ to because I wanted to write. What a waste, because those invitations come far less often now, after years of ‘no’ and what have I got to show for it?

I’ve identified the problems, now I need to find the solutions. Writing is a lonely, solitary endeavor, and it’s easy to start listening to the doubts when they’re the only voice you’re hearing. One thing I have always wanted, but never found, is a mentor who has been down the writer’s road before. Someone that takes enough interest in me to want to see me succeed in some aspect of my life. Someone to guide me where I want to go, to slap me (figuratively) when I need it, and encourage me to take risks when necessary. The only reason I’m posting this here, is to put it out into the universe. I’m not saying I’ll get one through this blog post but you don’t get what you don’t ask for, so I’m asking. I think that could help me with issue #1) lack of confidence.

As for #2) lack of joy? My initial thought is that I want to start saying ‘yes’ to social activities in hopes that it will recharge my joy battery. It may not be the ultimate solution, but it is a place to start.

And that’s why I say I’m not hopelessly lost. Just a little lost. Or maybe not lost at all. Maybe this is just a part of my writer’s journey.

Facebooktwitterredditpinterestlinkedinmailby feather

Chinese Water Torture

It’s maddening. It truly is. The slow yet constant drip of rejections, coming at an unpredictable rate. I never know when I’m going to open my mailbox to find a letter from an agency I queried. I got one Sunday morning, when I wouldn’t have expected agents were responding to queries. Then I got one last night before bed. Sweet dreams.

Without even opening these emails, I immediately feel defeated somehow knowing it’s a rejection. Lately I try to pause and allow myself the sliver of hope that it might be a request for my manuscript. I remind myself that things can change any second. It only takes one yes. The results haven’t been any better.

Then I read a tweet from an author saying, “My lifelong dream to be a published author is finally coming true.” I clicked on her profile.

She’s 24. Her lifelong dream has maybe been ten years.

As someone who is susceptible to insecurity and a lack of confidence, the battle to keep going is requiring more energy than I expected. I’ve decided I need to do two things. First, I need to look at the first five pages, which is pretty much all they allow you to send them. When I wrote this chapter, it was in chronological order, and my editor snatched it from the middle of the book and made it my prologue. I’ve realized there are things discussed in that chapter that would be familiar to the reader by the time they got to the middle, but would have no meaning whatsoever to someone not yet immersed in this world. I need to look at this chapter with fresh eyes and see what can be improved. The difficulty with that is that my prologue is already at 5 pages, and if I expand on description, I will not be able to send the entire prologue as my sample.

After I’ve improved those first five pages, I need to read the entire manuscript. I’m beginning to doubt my story, my writing, my characters, and pretty much everything else. I know when I’ve read it before, I’ve gotten sucked in and kept turning the pages. I need to remind myself of that. It’s been long enough since I read it that it might even feel a little fresher. I need to regain my confidence that someone will recognize the value in the story I’m telling, and I just need to keep looking for them.

So many agents are looking for books with a quick hook, and I’ve read those books. They’re fun. But a year later, I couldn’t tell you the plot or characters of most of them. I might remember the stunning location where it was set or maybe a scene that was impactful but the rest fades away. They’re fast food fiction. Really enjoyable in the moment, but not really sustaining.

My story doesn’t have such a quick hook. I’d like to think it’s intriguing, but I take my time introducing characters and unwinding the story at a comfortable pace. As the book moves along, and the conflict builds, so does the pace. So is it going to grab you by the throat right away? Probably not. It’s why I’m so frustrated that the entire book is judged by the first few pages. Not only can you not judge a book by it’s cover, you can’t truly judge a book by it’s first few pages.

Now, I get it. Agents are buried under queries and manuscripts. One agency responded in their rejection letter that they get 500 queries a week. One agency – 500 queries in a week. How could anyone possibly keep up with that? There has to be a quick way to weed through and focus on the best choices, so they’ve decided the first five pages and a snappy query letter are the way to do it. I wonder how many quality novels have slipped through the cracks because of it.

There’s nothing to do about it, but keep searching for an agent that will give it a read. I’ve also found two publishers that will accept hardcopy manuscript submissions without an agent, so I intend to print one out and get that in the mail soon. And of course the final option will be to self-publish and let the public decide. The amount of marketing I’ll have to do is daunting, but hopefully I’ll have book two finished by then and in the editing process (if I can afford it) so can focus more on marketing.

Until then I will reread, perhaps rewrite, and try to keep my sanity and hope under the drip, drip, drip of rejections.Facebooktwitterredditpinterestlinkedinmailby feather